High, Middle, and Low Key lighting

When used in portrait photography, the term Key refers to the overall tone of the final photograph. The elements of the portrait that play into the tone of it are the color of the background, the color of clothing used and the color of any props or foreground elements. Portraits that have a consistent key generally have much more of an impact that those whose elements are not consistent. It is true as well that, though rare, tones can be mixed in a photo with success. A danger in mixing tones is that the potential for confusion on the part of the viewer.

Generally, portraits are classified in one of three keys – low key, middle key or high key. Low key portraits are created using a dark background and dark clothing and props. You can identify the key of a portrait by determining the average tone for the scene.

Generally a low key portrait would have more dark elements than bright ones. Clothing and background might be black or dark browns giving the feeling of drama or rigidity. Low key portraits may also be shot with a higher lighting ratio near 3:1 as contrast is acceptable due to the drama of a lower tone.

A high key portrait setup would involve the use of a white or off white background and brighter clothing. A high key portrait can be challenging as it requires a great deal of light control and has the most risk of overexposure and loss of detail. In general they would have a low lighting ratio near 2:1. A common background for high key portraits is paper which is slightly overexposed resulting in a pure white seamless background and a feeling of cleanliness. Great care is usually taken to separate the subject from the background to eliminate shadows. These portraits also tend to require more light and thus more power and lighting equipment to create.

As expected, a photo which has tones in the middle of high and low would be called a middle key portrait. Often middle key portraits will use skin tone to set the mood. In these cases, clothing may be used to accent the tone of the skin with contrast rather than allow all elements to blend together. Often a high key portrait can be converted to a middle key portrait by reducing exposure.

Often the background sets the tone for the image and as such key should be a consideration at the beginning of a portrait setup. A background should not take focus off of the subject, but rather help lead the eye to the subject in the final image. Take time to identify your overall tone, or key before you arrange the lighting setup and you will be surprised at the results.

StudioLighting.net

About StudioLighting.net

A Free Online Resource for Studio Lighting and Photography Information: Tips, Tutorials, DIY Instructions, Reviews, and Much More.

Vintage WESTINGHOUSE Studio One CAMERA LIGHT picture
Vintage WESTINGHOUSE Studio One CAMERA LIGHT
11x14 Large Format Studio Camera picture
11x14 Large Format Studio Camera
Vintage Hollywood Studio Light..bardwell...vintage...industrial.. picture
Vintage Hollywood Studio Light..bardwell...vintage...industrial..
Vintage Photogenic Studio master II Flash Power With Lamp On Wheels. REDUCED picture
Vintage Photogenic Studio master II Flash Power With Lamp On Wheels. REDUCED
Century #7 8x10 Studio Camera & #2 Stand-Beautiful Ansco Deardorff Agfa Kodak picture
Century #7 8x10 Studio Camera & #2 Stand-Beautiful Ansco Deardorff Agfa Kodak